George’s Blood Diner credit traces to a single online filmography listing, and nothing else backs it up: his name is absent from the theatrical prints, the home-video credits, and the crew lists examined here. The effects on Jackie Kong’s shoestring splatter comedy were supervised by Anthony C. Ferrante and built out by key artist J.M. Logan, with Larry Arpin, Bruce Zahlava, Michael Hyatt and Aaron Sims among the rest of the crew. None of them has a confirmed link to George’s shop.
The film itself — a no-budget spiritual sequel to Herschell Gordon Lewis’s Blood Feast, built around a resurrected goddess, brains in jars, and a diner full of deep-fried body parts — sits close to the register George is known for. The resemblance isn’t a credit, and his actual 1987 was already full: reported paint work on the Predator bio-mask, freelance makeup work on A Nightmare on Elm Street 3, and Spaceballs.