Brian Yuzna produced Re-Animator, which Stuart Gordon directed, and directed both sequels himself. This one, shot in Spain under his own Fantastic Factory label, was the last time he worked with George, after Society, Bride of Re-Animator, Silent Night, Deadly Night 4 and Faust. George was the special makeup effects designer. Some secondary listings also give him an unspecified directing credit, but no primary source explains it, so this page does not treat it as a confirmed directing role.
Two effects sequences carry the film’s splatter comedy: a re-animated rat fighting a severed penis in a prison cell, and the corrupt warden mutating after he is injected with energy extracted from the rat. The first plays as an obscene puppet fight. The second moves from actor Simón Andreu in makeup to a creature form. At a 2014 exhibition talk, George described the warden effect as movement beneath the skin creeping toward the face from a central control point. That account is paraphrased from captions, not an audio-checked transcript. The public credit confirms George’s department role but not who built or operated each piece.